The Digital Filmmaking Handbook 7th Edition

$64.99

Who Hasn’t Dreamed About Making a Movie?

Not just for the glamour and thrills, but as a way to your story out in to the world, the story that only you can tell.
For this edition, we’ve focused on soft skills: developing a project, writing a compelling story, working with actors, the special challenges of directing. After all, these are the things that really matter in the end – skills that help you tell any story. But don’t worry, you can’t keep s away from technology and a lot has changed since theist edition. Digital cinema cameras keep getting better and there are important changes to the workflow from the set to the editing room. The internet of things continues to improve gear, from remote controllable lighten got GPS-based motion tracking and live virtual sets – it’s an exciting time to be a filmmaker!
We’re here to help you navigate the complex but increasingly unlimited landscape of independent filmmaking, whether you’re making a short, a series, or a feature film.
The Digital Filmmaking Handbook will show you how to make the movie you’ve been dreaming about.
The Digital Filmmaking Handbook is a top-rated bestseller. It’s been in print for over 20 years. It offers over 400 pages of regular updated information on all aspects of filmmaking. It’s even spawned a series of companion books, The Digital Filmmaking Handbook Presents. 
Oh, and it’s in full color. Finally.

Description

The Digital Filmmaking Handbook, 7th Edition

by Sonja Schenk and Ben Long
454 pages, full color plus supplemental media
ISBN: 9781733150217
Book 1 of The Digital Filmmaking Handbook Presents series
ISSN: 2690-0424
Please check out our other titles to explore the series further.
Educational Customers:  If you would like information about bulk ordering and purchase orders, please email our publisher directly: publisher@thedigitalfilmmakinghandbook.com
Please note:
India customers can buy from Computer Bookshop India using this link: https://bit.ly/37mf5oP

Additional information

Table of Contents

Introduction
1 Producing
2 Writing
3 Digital Video Primer
4 Planning Your Shoot
5 Working with Actors
6 Lighting
7 The Camera
8 Filming Techniques
9 Production Sound
10 Advanced Shooting
11 Directing and Managing the Set
12 Getting Started in Post
13 Managing Media
14 Editing
15 Sound Editing
16 Color
17 Titles and Effects
18 Finishing
Glossary
Index

New in This Edition

What's New in this Edition?

Humanity’s need for media-based narrative goes back indefinitely. There have always been people who created stories and believed in them so passionately that they felt a need to communicate them to many others, en masse. In the past, they were cave painters and builders of megaliths, today they are filmmakers, writers, and producers—this book is for them.

In this edition, we have broken out some large chapters into smaller, separate chapters: producing, writing, planning, and directing actors are all topics that stand alone now. In doing so, we took a more nuanced look at some of the nuts and bolts of filmmaking—the role of the producer, the tasks of the screenwriter, and the challenges of the director. Given that many independent or new filmmakers will wear all those hats on the same project, we think it’s important to not assume that a separate producer or writer will do that work. We’ve also broken out the camera and shooting material into three chapters: understanding the camera, filming techniques, and advanced shooting. To understand the technology that underlies all the above, we’ve done a major overhaul of Chapter 3, Digital Video Primer, with a focus on how digital video technology ultimately serves the filmmaker—a bit more of the why instead of just the what, including a teeny bit of relevant art history.

We’ve redesigned the book and  (finally!) switched to a full-color images. Having better quality, color images also made it possible to incorporate more still images from classic films and to add key diagrams and illustrations where appropriate.

Finally, we know that experience is the best way to learn, so we’ve provided exercises and tutorials throughout the book. And at the end of each chapter, we’ve added a special section called Problems to Solve, which features a list of questions and suggestions that can be used as exercises or assignments.

If you’re seriously thinking of embarking on a digital filmmaking production, you’re about to begin a big process. The more you know before you start, the more smoothly things will go for you.

Filmmaking is a challenging, exciting, and always instructive process. We wish you the best of luck in your filmmaking endeavors. Now, it’s time to get started!

Expanded Table of Contents

EXPANDED TABLE OF CONTENTS:

INTRODUCTION
What This Book is About
New in This Edition
What Equipment Do I Need?
Initial Problems to Solve

1 PRODUCING
What Does a Producer Do?
What Kind of Movie Should You Make?
Developing a Project
Preliminary Budgets
Introduction to Financing
Forming a Production Company
Producing Problems to Solve

2 WRITING
Screenwriting
Creative Writing Exercise
Formatting Your Script
Screenwriting Software
Script Coverage
Writing for Series
Scripting Unscripted
Writing for VR
Writing Corporate Projects
Story Problems to Solve

3 DIGITAL VIDEO PRIMER
Shape
Time
Color
Sound
Inside Digital Media Files
Filmmaking Formats
Visual Problems to Solve

4 PLANNING YOUR SHOOT
Scheduling
Storyboarding
Location Scouting
Production Design
Visual Planning for Documentaries
Effects Planning
Planning Problems to Solve

5 WORKING WITH ACTORS
Casting
Scene Analysis for Directors
Rehearsals
The Shooting Script
Directorial Problems to Solve

6 LIGHTING
Lighting Your Film
Tutorial: Lighting an Actor
Types of Light
Controlling the Quality of Light
Exterior Lighting
Getting Rid of Light
Special Lighting Situations
Lighting Problems to Solve

7 THE CAMERA
Inside the Camera
Outside the Camera
Does it Do What You Need It to Do?
Camera Accessories
Equipment Problems to Solve

8 FILMING TECHNIQUES
Before Your Start
How to White Balance
How to Focus
Exposure
Monitoring Live Video
Composition
Camera Movement
Camera Setup Cheat Sheet
Filming Problems to Solve

9 PRODUCTION SOUND
What Do You Need to Record?
Microphones
Field Recorders and Mixers
Connecting It All Together
Recording Audio on the Set
Sound and Sync for Multiple Devices
Audio Problems to Solve

10 ADVANCED SHOOTING
Live Virtual Production
Aerials and Drones
Multi-cam Shooting
VR Production
Shooting Green Screen
Special Filming Problems to Solve

11 DIRECTING AND MANAGING THE SET
Directing
Managing the Production
Crew Positions and Responsibilities
Organizational Strategies
Managing Media on the Set
Production Problems to Solve

12 GETTING STARTED IN POST
Scheduling Post-Production
Editing Hardware
Editing Software
Our Software Recommendations
Post-Production Problems to Solve

13 MANAGING MEDIA
Making a Plan
Gathering Your Media
Bringing Media into a Project
Synchronizing Media
Moving Media
Media Problems to Solve

14 EDITING
Editing History
Building a Rough Cut
Tutorial: Creating a First Cut
Editing Techniques
Tutorial: Refining Your Cut
Transitions Between Scenes
Solving Technical Problems
Multi-cam Editing
Giving Notes in Post
Fine Cutting
Editorial Problems to Solve

15 SOUND EDITING
Sound Design
Audio Editing Tools
Dedicated Sound Editing Apps
The Mix
Editing Dialogue
Adding Sound Effects
Using Digital Audio Effects and Filters
Building Ambience
Music for Films
Sound Design Problems to Solve

16 COLOR
Intro to Color Grading
Tutorial: Low Bar to Entry Color
Preparing Your Media for Color
Color Grading Tools
Color Fixes
Advanced Color Techniques
Color Problems to Solve

17 TITLES AND EFFECTS
Titles
Tutorial: Creating a Main Title
Motion Graphics Software
Motion Effects
Integrating Still Imges and Video
Special Effects Workflow
Compositing 101
Editing VR Footage
Using Effects to Fix Problems
Visual Effects Problems to Solve

18 FINISHING
Start Early and Start Small
Outputs for Review
The Festival Circuit
Distribution and Deliverables
Archiving Your Project
Finishing Problems to Solve

GLOSSARY
INDEX