Premiere Pro for Filmmakers | Available Now
The Digital Filmmaking Handbook Presents Premiere Pro for Filmmakers, the editing handbook you’ve been waiting for. Read all about it here.
Choosing a Cinema Camera (DSLR to Cinema Post #2)
How many times have you shot video with your trusty DSLR only to find the footage is out of focus or to have the camera shut down because its overheating? Would a “real” cinema camera solve all your problems? Here is the second in a series of articles by Ben Long about making the transition from a DSLR to a cinema camera.
Switching from a DSLR to a Cinema Camera (DSLR to Cinema Post #1)
With a couple of pending video projects, I’ve decided now is finally the time to make the jump from digital SLRs to a “cinema” camera. I’m tired of having trouble focusing; I want better ergonomics; I’d prefer better low-light capability. Simply put: I’d like to work with a camera that was actually designed for shooting video.
Editing a feature documentary with Adobe Premiere Pro (Premiere post #1)
In the next series of blog posts, we’re going to write some short articles about editing a giant project with tons of footage in Premiere.