Premiere Pro for Filmmakers | Available Now
The Digital Filmmaking Handbook Presents Premiere Pro for Filmmakers, the editing handbook you’ve been waiting for. Read all about it here.
The Digital Filmmaking Handbook Presents Premiere Pro for Filmmakers, the editing handbook you’ve been waiting for. Read all about it here.
Every film should have a website–at the very least, a single page site with basic information about the film. And it’s never been easier to build a simple website. Here’s how to do it.
How many times have you shot video with your trusty DSLR only to find the footage is out of focus or to have the camera shut down because its overheating? Would a “real” cinema camera solve all your problems? Here is the second in a series of articles by Ben Long about making the transition from a DSLR to a cinema camera.
With a couple of pending video projects, I’ve decided now is finally the time to make the jump from digital SLRs to a “cinema” camera. I’m tired of having trouble focusing; I want better ergonomics; I’d prefer better low-light capability. Simply put: I’d like to work with a camera that was actually designed for shooting video.
When you walk into a big project that’s been in progress for awhile (in this case, 350 hours of footage and a previous editor who had been working for a year), the first thing to do is to acquaint yourself with the project. That means checking out all the settings.